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Filter 101: What are Filters?
24th September 2008
I’ve been discussing filters for a while now, and I guess I need to go back one step and explain what a filter is and what it can do. In photography, a filter is a camera accessory consisting of an optical element that can be inserted in the optical or light path. The filter can be a square or rectangle shape mounted in a holder accessory, or, more commonly, a glass or plastic disk with a metal or plastic ring frame, which can be screwed in front of the lens.
Filters allow added control for the photographer of the images being produced. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. The selection of the proper filter is actually far more important than any choice of lens or camera. The filter has a large and real effect on your image. Lens brand and sharpness does not.
The negative aspects of using filters, though often negligible, include the possibility of loss of image definition if using dirty or scratched filters, and increased exposure required by the reduction in light transmitted. The former is best avoided by careful use and maintenance of filters, while the latter is a matter of technique; it usually will not be a problem if planned out properly, but in some situations does make filter use impractical. Worst case is that the light degradation is inevitable and is something I have to live with when using some filters.
Photographers classify filters according to their use. If you are aiming for cleaner, sharper pictures with less haze, photographers would pick up UV Filters which absorbs ultraviolet rays. In fact, most photographers leave a UV filter on their camera lens at all times to protect the lens from dust, moisture, scratches, and breakage.
There is what are called Sky Filters – which reduce blush tones in outdoor shots. We do not have to worry because this keeps skin tones natural and free of reflection from nearby objects. It can also serve as a permanent lens protector.
Protector Filters are filters which protect your lenses from expensive front element damage which could be caused by dirt, knocks or scratches.
And you can choose also polarizer filters. The circular polarizer and moose filters are essential for outdoor photography; deepens intensity of blue skies; reduces or eliminates glare. Circular Polarizing filters are used on auto focus cameras. When using non-auto focus camera, use linear polarizer filters and linear focus.
The Neutral Density Filters are devised to reduce the amount of light without affecting the color. This also eliminates overly bright, washed out images. This is also great for video.
One special kind of filter is the HOYA HMC Ultra Thin Filter. This is a series or set of high end filters designed to avoid vignetting problems which occur with wide angle lenses.
Filters are commonly used in black and white photography to manipulate contrast. For example a yellow filter will enhance the contrast between clouds and sky by darkening the latter. Orange and red filters will have a stronger effect. A deep green filter will darken the sky too but will lighten green foliage and will make it stand out against the sky. Also see diffusion filters, which are used to reduce contrast.
Yes, filters are needed even if you use a digital camera and edit with Photoshop. Polarizers and grad filters need to be used before the lens and are not well, if at all, simulated electronically. Digital cameras are excused from most of the color conversion filters, since you dial these in as white balance settings. I still use a mild warming filter (81A) on all my digital cameras since I prefer the look I get, even with the WB adjusted warm.
Filters 101: Neutral Density Camera Filters
23rd September 2008
In photography and optics, a neutral density filter or ND filter is a “grey” filter. An ideal neutral density filter reduces light of all wavelengths or colors equally. The purpose of standard photographic neutral density filters is to allow the photographer greater flexibility to change the aperture or exposure time, allowing for more control, particularly in extreme circumstances.
Let’s say that you’re taking a photo of some waterfalls in the middle of the day, and want to use a slow shutter speed to blur the water. If it’s a bright sunny day, you won’t be able to.
There is a lower limit on shutter speed in the middle of the day – you can only slow it down so much before the photo becomes over-exposed. If you put a neutral density filter on your lens (and reduce the amount of light) then you can slow the shutter speed down enough to get the right effect. The more available light, the more powerful ND filter you must use.
When it is desirable to maintain a particular lens opening for sharpness or depth-of-field purposes, or simply to obtain proper exposure when confronted with too much light intensity, use a Neutral Density (ND) filter. This will absorb light evenly throughout the visible spectrum, effectively altering exposure without requiring a change in lens opening and without introducing a color shift.
A Neutral Density filter reduces the amount of light passing through the camera lens without changing the color of the scene. It is especially useful in bright light conditions to help prevent overexposure. The neutral density filter also allows proper exposure at a wider lens opening for reduce depth-of-field to highlight a key subject by making the foreground and/or background out of focus.
Neutral Density filters are often ignored by photographers, but they have several uses and offer the possibility to achieve otherwise unachievable results. ND filters appear gray and reduce the amount of light reaching the film, yet they have no affect on color balance.
These filters are for all video, still, digital and film cameras. And ND filters have four main uses:
First, to enable slow shutter speeds to be used, especially with fast films, to record movement in subjects such as waterfalls, clouds, cars, seas etc.
Second, to decrease depth of field by allowing wider apertures to be used, which helps separate subjects from their background.
Third, to decrease the effective ISO of high speed film (ie: above ISO400) and allow it to be used outdoors in bright situations.
Fourth, to allow video cameras (which have fixed shutter speeds) to film subjects such as snow, sand or other bright scenes which would normally cause over-exposure.
A very popular tool in any landscape photographers kit is the graduated neutral density filter. When looking at landscape photography the average user doesn’t realise that many shots these days are composed utilising graduated neutral density filters.
For the somewhat more experienced photographer it may be assumed that the photograph was composed and later digitally edited in photoshop. This belief comes as a result of the difficulties which photographers have when composing a shot in camera.
Without a graduated neutral density filter, the user instead focuses on a point in the shot to gain a correct exposure. If you do this to the land of the shot then another for the sky, it will differ. Therefore when taking the photograph the sky may be over exposed while the land will be as hoped. This is where graduated neutral density filters come into the equation.